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Honoring the “Hello Girls” of World War I
The Hello Girls were the telephone operators who responded to a call from their country to provide bi-lingual telephone services in the theatre of war. It is estimated that they connected 26 million calls and were a significant factor in turning the tide of the war. They were denied veteran status from the end of the war until 1977. The U.S. World War I Centennial Commission, pre-COVID, recommended to Congress that the Hello Girls be awarded the Congressional Gold Medal.
Honoring the “Hello Girls” of World War I
By Nicole Kunze
via the Lehi Free Press newspaper (UT) web site
More than 100 years ago, women from every state in the U.S. volunteered to serve as switchboard operators and real-time translators on the front lines of World War I. They served under commissioned officers, wore dog tags, rank insignia and uniforms and swore the Army Oath, but the 223 women and 2 men of the Signal Corps Telephone Operator Unit were told when they came home that they had served as “civilian contractors” instead of soldiers. Lehi’s John Hutchings Museum Director Daniela Larsen is doing her part to get the “Hello Girls” recognition they’ve long deserved.
Daniela Larsen“At first, they had men operating the phone lines, but they were slow. General Pershing requested women who were already trained as switchboard operators instead,” explained Daniela Larsen. The women were six times faster at connecting calls than the men they replaced. “A few minutes made the difference between life and death on the front lines in France.”
Two of the “Hello Girls” were from Utah, Emelia Katharine Lumpert and Mary Marshall.
For almost 60 years, the surviving members of the Signal Corps Telephone Operator Unit petitioned Congress for the same veterans’ recognition afforded to their male colleagues and female Army nurses. In 1977 Congress passed a law paving the way for the “Hello Girls” and the WASP pilots from WW2 to be recognized as full veterans of the US Armed Forces. In 2009 the WASPs received the Congressional Gold Medal, the highest medal bestowed by civilians in the United States.
The World War One Centennial Commission is working to honor the “Hello Girls” with the same honor. Congressional Gold Medal bill, S.206 currently has 24 cosponsors and bipartisan support.
“World War I was so long ago; we’re losing our connections to it and the lessons from it. The John Hutchings Museum was built as a monument to World War I. We really want to take up this cause and properly memorialize the ‘Hello Girls,” Larsen explained.
On Monday, March 21, Larsen met with staff members in Utah Senator Mike Lee’s office to ask them to support S. 206. Both Utah senators’ offices are busy fielding calls about helping Ukraine, but Senator Lee’s staff listened attentively to Larsen. “We will always take time to hear from constituents. This is a great cause,” said Nate Jackson, Northern Utah Director and Military Affairs Advisor for Senator Lee.
An American Father-Daughter Story in World War I
After the death of his mother Dorothy Martin at age 94 in 2001, James Larrimore (left) was stunned to discover a trove of information about World War I the service of his grandfather Don Martin as a wartime correspondent. Larrimore turned the father-daughter letters, his grandfather's diaries, and other materials into a blog, and finally a book (center), “In Their Own Words, Writings of war correspondent Don Martin and his 11-year-old daughter Dorothy. An intimate view of WWI.”
An American Father-Daughter Story in World War I
By James Larrimore
Special to the Doughboy Foundation web site
On my mother’s death in 2001 at age 94, I came into possession of family records from the World War I era. My grandfather, Don Martin, whom I never met, had died in France while serving as a war correspondent; a poem written about him was titled “Soldier of the Pen.” I found original letters he wrote to his daughter (my mother) and letters from her to him. Also, there were my grandfather’s diaries for 1917 and 1918, and letters of condolence upon his death from Spanish influenza in October 1918, including from Commander-in-Chief John J. Pershing. My mother had told me little about this. I realized that I had to learn about the role my grandfather had played in World War I.
Don Martin was a well-known political journalist of the New York Herald in 1917, when he was assigned to cover the American Expeditionary forces in France. Once he reached the war zone in March 1918, he quickly became recognized as one of four leading American war correspondents, together with Floyd Gibbons of the Chicago Tribune, Martin Green of the New York Evening World and Ray Carroll of the Philadelphia Public Ledger. On learning of his death, former President Theodore Roosevelt wrote:
“Martin was one of the best and truest men with whom I have had relationships…He was of that sort that makes it quite worth while for a real man to do his best, efficiently, honestly and thoroughly.”
I had found that my grandfather was a role model and a hero.
With the WWI Centennial approaching, I decided to make public Don Martin’s reporting and writings on WWI. I set up a blog on which I posted daily, from December 2017 to October 2018, what Don Martin had written one-hundred-years before in his diary and in his war dispatches. It was exciting to relive his wartime experiences day by day, yet something important was missing - the story of the separation of a father from his 11-year-old daughter Dorothy by WWI and how their relationship was maintained through letters, handwritten one a week by Dorothy and sometimes even more frequently by her father. Collating all these sources to tell their story was a moving experience. This book, “In Their Own Words, Writings of war correspondent Don Martin and his 11-year-old daughter Dorothy. An intimate view of WWI,” is intended to be a further contribution to the Centennial of WWI.
Book Launch & Photography Reception, Washington, DC – April 6, 2022 for the two-volume book “In the Centennial Footsteps of the Great War”
April 6 Book Launch & Photography Reception, Washington, DC for the two-volume book “In the Centennial Footsteps of the Great War”
By Kathy Abbott
Staff Writer
In recognition of the 105th anniversary of the American entry into World War I, the Daughters of the American Revolution (DAR), the Doughboy Foundation, the Embassy of Hungary, and Mathias Corvinus Collegium invite you to a Book Launching ceremony and Photography Reception for the premiere of Attila Szalay-Berzeviczy’s forthcoming two-volume book, “In the Centennial Footsteps of the Great War.” The event will be held at the DAR Headquarters, located in the heart of Washington D.C at 1776 D St NW, on Wednesday, April 6, 2022 at 5 p.m.
Attila Szalay-BerzeviczyAlso attending will be Jari Villanueva, Taps for Veterans, producer and lead bugler for Daily Taps at the National WWI Memorial, in Washington, DC. All proceeds from the event will be used to complete the National WWI Memorial, DC , and to ensure that Daily Taps is played at the Memorial forever.
In Attila Szalay-Berzeviczy’s program notes for the ceremony “Lessons from the First World War to Prevent the Third World War” he notes, “After concluding my centennial project, I am delighted to present to you the story of the Great War in full-color photographs. I very much hope that the images in this volume and the next will inspire you to visit these historic places with your children in order to discover the peace and beauty I found there, and to reflect at the exact location on the tragic events that took place there over one hundred years ago. I also hope that this two-volume book will in some small way contribute and support future commemorations beyond the centenary, and will remind everyone that peace can never be taken for granted. It is my wish that our great-great-grandchildren will be able to commemorate the bicentenary of the outbreak of the Great War on 28 June 2114, after a century of global peace.”
Below Attila Szalay-Berzeviczy reflects on “In the Centennial Footsteps of the Great War” as it chronicles and explains the historical events and the horrors of the First World War through photos that were taken 100 years later, between 2014 and 2021 in each and every theatre of the war, covering altogether fifty-seven different countries:
Granddaughter finds hidden WWI treasure in a box
Granddaughter finds hidden WWI treasure in a box
By Judy Bruckner
Special to the Doughboy Foundation web site
Judy Bruckner’s lifelong passion for family history began at a young age. An interest sparked by a multi- generational collection of stories, photographs and countless afternoons with her beloved grandparents who cared for it all. Every Tintype, Daguerreotype and Cartes des Visites was a window peering into the past, every enthralling story a chance for Judy to reach through time and touch the fabric of her family's history.
Most prized amongst this collection of treasure; a black, leather-bound album containing photographs, letters, documents and a one-year diary by a 19- year-old ambulance driver named Charles C. Leonard, Judy's grandfather. This vast collection of memories allowed her to experience WWI through Charles' eyes during his time as a volunteer for the American Field Service organization (AFS), which was taken over by the US Army shortly after he arrived in France in July 1917. Charles served as an ambulance driver until May 1919.
Judy knew the unique experiences Charles collected during the final years of the Great War needed to be preserved so upon gaining access to the deteriorating album, she went to work. Between a career and motherhood, she spent the next 8 years digitally repairing the 1000+ fading photos, transcribing journal entries, and exhaustively researching broader events of the war to support the magnificent memories Charles preserved. This book is the achievement of Judy and her grandfather’s work.
The time spent unlocking the mysteries of her grandfather’s experiences broadened her appreciation about a war that before she had only a slight knowledge about from school. Her research brought her closer to the men who served alongside Charles as she translated stories preserved from French books from 1922, old newsletters, and documents preserved by the AFS Virtual Museum and French Museum archive sites.
When asked about her experience, Judy comments:
“Writing a book was much more challenging and rewarding than I ever imagined. I became absorbed in learning as much as I could about USAAS 644 (old SSU 32) and the French infantry division 37 (DI 37) to which they were attached. I translated French books about DI 37 into English to read diaries and to track their journey as they chased the enemy back to Germany. It was hard to leave some of their touching stories out, but I wanted to focus on Charles and his experiences. Even still some of the final moment of the war can only be captured by one who there and so an Algerian solders’ memory was added to the book. The commitment and bravery of these Algerian fighters and their French Officers helped me to understand the sacrifice of all who serve at wartime.
"As I learned about SSU 71 and SSU 32, I decided to create a pictorial roster of these brave men. This would help confirm some of the photos of people taken by Charles but left unlabeled. My challenge was finding a military roster. In 1973 the National Archives in St. Louis, Missouri had a fire in the Military Personnel Record Center in which most WWI service records were stored. All information about USAAS 644 was lost in that fire. Through research using the documents I possessed and online sites I was able to find most of the men and recreate the roster.
Pritzker Military Museum & Library On War Military History Symposium March 31 – April 1, 2022
Pritzker Military Museum & Library On War Military History Symposium March 31 – April 1, 2022
Special to the Doughboy Foundation web site
The Pritzker Military Museum & Library present their 2022 On War Military History Symposium featuring Dr. Margaret MacMillan, recipient of the 2021 Pritzker Military Museum & Library’s Literature Award for Lifetime Achievement in Military Writing. The symposium will consider the current state of military history under the theme of “What is Military History Today?”. Individual panel sessions will explore and identify today’s challenges in researching, writing, and presenting military history, and how they are impacted by the needs and interests of diverse audiences. Perspectives from the academic community, military professionals, and the general public will be considered.
This year’s Symposium will take on a hybrid format with an option to join in person or virtually online. Sessions include: What is Military History Today?, Museums and Memorialization; Violence, Atrocity, and Restraint in War and Military History of the Post-Cold War. Pricing for member and non-member, in-person and virtual attendance is available on our website.
Behind the Epic WWI Memorial Being Sculpted in an Englewood Warehouse
Sabin Howard is working tirelessly on A Soldier’s Journey, the 60-foot-long bronze relief bound for the nation’s capital. In the completed section shown, the soldier heads into battle with two comrades.
Behind the Epic WWI Memorial Being Sculpted in an Englewood Warehouse
By Leslie Garisto Pfaff
via the New Jersey Monthly magazine web site
Behind the soaped window of a former warehouse in downtown Englewood, an epic journey is taking shape. Under a skylight that catches the day’s waning glow, Sabin Howard is carefully applying small swipes of clay to the figure of a soldier in a World War I doughboy’s uniform. Howard’s gaze moves from the sculpture to actor Mark Puchinsky, a live model who looks every inch the young warrior, down to the authentic olive drabs that Howard purchased from World War I reenactors.
The figure, about 10 percent larger than life, is one of 38 that will eventually comprise an intricate, 60-foot-long bronze relief titled A Soldier’s Journey. It will form the centerpiece of the country’s first national World War I memorial, commemorating the 4 million Americans who served in what was once known as the Great War. Chosen out of a field of 360 entries in an international competition, Howard’s piece will be installed in Pershing Park, just steps from the White House, in the fall of 2023 or the following spring.
The uncertain timing reflects the arduousness of Howard’s process. Each figure requires some 600 hours of work, meaning Howard can complete only nine or 10 figures in a year, even with two assistant sculptors and a team of models. Considered a master of modern classicism, Howard, 57, creates sculpture that is startlingly realistic. He is, says project manager Traci Stratton—the novelist/documentarian who is also Howard’s wife—a perfectionist: “If he had 800 hours to complete a work, he’d want 1,600,” she says. “If he had 1,000, he’d want 2,000.”
In fact, the project would literally have taken a lifetime to complete if Howard had followed his traditional routine: creating a drawing of the proposed sculpture, producing a small-scale 3-D maquette (or preliminary model), building foam-covered steel armatures (or frameworks) of each figure, applying clay to the armatures, and then casting the work in bronze. He was able to skip the labor-intensive third step in favor of a digital process in which the armatures are 3-D printed.
The work is a departure for Howard in another significant way. “I had to change from being a strict classicist”—sculpting idealized, largely static forms—“to being an expressive humanist. You can’t have a visceral impact on the viewer with art that’s purely cerebral.”
